Why are circuses and fairs so fascinating? Why do people run away with the circus? And why do we love a circus fantasy story so much? I think it is because in olden times, the circus was almost the only… Continue Reading →
I’ve been reading and watching The City and the City by China Mieville this week. Two cultures in permanent conflict, sharing the same space, each city diligently ‘unseeing’ the other. It made me want to create a culture clash of… Continue Reading →
I read Spellslinger this week in about three gulps and have been inspired by its greatness – to learn about cards, and to hurt my own characters, a lot. Honestly Sebastien de Castell heaps bad luck and trouble on his main character,… Continue Reading →
This week I read The Thousand Names by Django Wexler. I picked it up as part of an armful of fantasy novels I collected from the library. It’s part of my 2018 campaign to read new authors and find fantasy… Continue Reading →
As a reader, I know what I want. And I very rarely find it. Toni Morrison said Write the book you want to read but sometimes I struggle to define what I want. James Scott Bell talks about essential scenes in every… Continue Reading →
What is it about fantasy fiction that tempts authors into creating prologues? I’ve come to the conclusion that it’s because fantasy storylines so often depend on events long previous to the main action of the story. But readers (according to popular belief) skip prologues. They… Continue Reading →
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